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Eve writes a letter to God

by Rowan Tate

 

First of all, the ground here is different. Not bad, just different. More stubborn, like a child who won’t answer unless you call more than twice, or a scab. I’ve learned how to plant the seeds of a fruit, how to tell when the water is clean enough to drink, how to hold a chicken still to slit its throat clean, and how to salt a fish so it won’t go soft by morning. We mark time now by the state of our feet. Did you think it would come to this? I have learned which ribs from the carcass of dead animals break easiest for tools. Is that the lesson you wanted me to learn? I made fire. With flint. Thank you for fingernails. And sweat glands. And clay that hardens into something useful. I understand decay now: the things that die help us live. You and I don’t have to wonder what it’s like to be the first of anything. To be without precedent. You made me from absence and called it help; I make bread from stones and call it dinner. I don’t miss it, in case you’re wondering. I don’t need paradise. I need a decent rain now and then. I need one child to come home clean. I need fewer dreams where I taste the fruit again and wake up with a mouthful of dirt. The animals have become unkind. The children are loud. Abel watches ants take apart a fig and doesn’t interfere. Cain bites his nails and strangles snakes in the grass when he thinks I’m not close enough to see. He is trying to understand. Why did we have to leave? Why did He stay? When can we go back? Adam breaks the bread unevenly. He looks at me now the way you did the last time I saw you, like I’m part of the wilderness to be tamed. I write so you cannot pretend you do not hear me. I want you to know what it costs us to live in the world you abandoned. Do you remember when you taught me how to swim? When we put stories in the skies and gave the stars names? Please stop sending the snakes, as if we need the reminder. I know what you’re doing. I haven’t forgiven you yet. Read this aloud in your silence. I invented this alphabet from what you left us in order to say I remember everything, I will not let you be the only one to tell this story. I can still name things. You didn’t take that from me.

 

Rowan Tate is a Romanian creative (poet, essayist, visual artist, songwriter). She reads nonfiction nature books, the backs of shampoo bottles, and sometimes minds.

 

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What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “Eve writes a letter to God”?

I’d been thinking about how women’s labor—cooking, cleaning, healing—gets left out of sacred narratives. I wanted Eve to speak from those spaces: blood, salt, sweat, hunger. Doing so, she discovers that language itself is a counter-creation. “Eve writes a letter to God” belongs to the unwritten testament which, by imagining the missing stories, questions who got to speak for God and who was written over.

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