by Erica Goss
Erica Goss is the author of Night Court, winner of the 2017 Lyrebird Award from Glass Lyre Press. Recent and upcoming publications include The Colorado Review, The Georgia Review, Oregon Humanities, Creative Nonfiction, North Dakota Quarterly, Gargoyle, Spillway, A-Minor, Redactions, Consequence, The Sunlight Press, The Pedestal, San Pedro River Review, and Critical Read. Erica served as Poet Laureate of Los Gatos, California, from 2013-2016. She lives in Eugene, Oregon, where she teaches, writes and edits the newsletter Sticks & Stones.
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What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “Advice and Caution, or How to Be a Tall Woman”?
As I grew into my tall body, I discovered that being tall is a condition people will tell you about. As a tall woman, it’s very hard to avoid attention—I’m always ready for the comment about my height that might come from someone anywhere, at any time.
I created the list as a sort of protection spell, from one tall woman to another. These were the things I had to learn the hard way. I wanted to share that wisdom with someone younger, hence the “advice and caution” of the title.
I tried to include the comical parts of being tall as well as the less amusing ones. Like most things, it’s a mixed bag. It’s taken me a lifetime to accept my body for what it is, and to appreciate it without judgment. Actually, I’m still working on that.
A few months ago, I started thinking about my life as the owner of a non-standard body. I was six when people started telling me I was tall. At such a young age, I wasn’t sure if that was a good thing or a bad thing, but I soon learned that it came with baggage. My mother reminded me to stand up straight while the kids in my neighborhood made tall jokes. It was very confusing.
Check out the write-up of the journal in The Writer.
Matter Press recently released titles from Meg Boscov, Abby Frucht, Robert McBrearty, Tori Bond, Kathy Fish, and Christopher Allen. Click here.
Matter Press is now offering private flash fiction workshops and critiques of flash fiction collections here.
Poetry, creative nonfiction, and fiction/prose poetry submissions are now closed. The reading period for standard submissions opens again September 15, 2025. Submit here.
12/15 • Isabelle Ness
12/22 • Catherine Bai
12/29 • Stephan Viau
01/05 • Allison Blevins
01/12 • Justin Ocelot
01/19 • Yejun Chun
01/26 • Mathieu Parsy
02/02 • Robert McBrearty
02/09 • Sarah Daly
02/16 • Wayne Lee
02/23 • Terena Elizabeth Bell
03/02 • Michael Mirolla
03/09 • Nicholas Claro
03/16 • TBD
03/23 • TBD
03/30 • TBD