by Foster Trecost
I kept my seat. Passengers in the aisle weren’t moving and until they were, neither was I.
“Could you at least stand?”
Hours earlier, I had attempted benign conversation with the man next to me. These attempts were met with disdainful silence that, if silences could speak, would have said conversation was not an option.
Now, nearly two hours later, I hoped my own silence said standing was not an option, either.
The doors opened and audible gasps filled the fuselage. A nervous queue began a two-footed crawl in the direction of daylight. At last I stood, merged in, and crawled with them. At the portal a memory demanded recollection and I paused, giving it time live again. It pulled me back to childhood and placed me atop a latter. My brother, older and more experienced in the ways of the playground, stood at the bottom of a metal slide. “Come on, Brucey, you can do it!”
He used to call me Brucey. He was the only one who ever did.
Back in the present, no one beckoned from the bottom, but like I did back then, I jumped onto the slide. After a quick trip down, I stood and dusted my pants with both hands, and began following masses who lumbered along like a caravan crossing the desert.
“That was almost fun.”
It was my row mate. I didn’t answer.
“Hey, did you hear me?”
“I did,” I said, “My name is Brucey.”
“We’re fellow crash survivors,” he said. “We survived a plane crash. Together.”
I looked at the plane overhanging the runway by only a few feet, yellow tongues protruding from every opening. “We skidded off the runway,” I said. “You can’t really call that a plane crash.”
“Sure you can.”
I looked again at the airplane and thought about things that had nothing to do with airplanes. Brucey. I liked the way it sounded. Still do.
Foster Trecost writes stories that are mostly made up. They tend to follow his attention span: sometimes short, sometimes very short. Recent work has appeared in Peacock Journal, New World Writing, and Star 82 Review. He lives in New Orleans with his wife and dog.
See what happens when you click below.
What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “ Brucey”? Like a lot of my stories, “Brucey” involves a mode of transportation (in this case, an airplane) and a memory. The memory is real, for the most part, and I wrote the story around it. What I didn’t intend, but I’m glad it’s there, is a melancholic twinge at the end. What became of Brucey’s older brother? I get the feeling the answer to that question would go in a tragic direction.
Check out the write-up of the journal in The Writer.
Matter Press recently released titles from Meg Boscov, Abby Frucht, Robert McBrearty, Tori Bond, Kathy Fish, and Christopher Allen. Click here.
Matter Press is now offering private flash fiction workshops and critiques of flash fiction collections here.
Poetry, creative nonfiction, and fiction/prose poetry submissions are now closed. The reading period for standard submissions opens again September 15, 2025. Submit here.
09/15 • Abbie Doll
09/22 • Karen Regen Tuero
09/29 • Amy Speace
10/06 • Jennifer Edwards
10/13 • Joseph O’Day
10/20 • Carolyn Zaikowski
10/27 • Sunmisola Odusola
11/03 • Sara Cassidy
11/10 • Liz Abrams-Morley
11/17 • Alison Colwell
11/24 • Lucy Zhang
12/01 • TBD
12/08 • TBD
12/15 • TBD
12/22 • TBD
12/29 • TBD
11/17 • TBD
11/24 • TBD
12/01 • TBD
12/08 • TBD
12/15 • TBD
12/22 • TBD
12/29 • TBD