M

Privy

by Su-Yee Lin

You are not privy to the knowledge. Privy is from the Latin privatus, which of course, means private. There are many things you are not privy to: your sister’s love life, your husband’s job drama, your father’s hobbies, your best friend’s thoughts. Who are these people, you think, who hide themselves from me. Who are these people I have surrounded myself with. Who am I that I can live this way, skimming the surfaces of our lives, no connections at all. You watch them with your binoculars, listen to their phone calls, drop your newfound information on them to shock but they are unshocked and unsurprised. I didn’t tell you? They say, but how did you know if I didn’t? Their words tangle up with the things you know, your head filled with their information until it fills you up like a volcano about to erupt. Now you know the curse of knowing; now you are the one to stay silent and the knowledge and the silence will kill you like a lightning strike straight to the heart.

Su-Yee Lin is a writer from New York with work published in The Offing, Strange Horizons, Day One, Bennington Review, NANO Fiction, Electric Literature, and other literary journals. A 2012 Fulbright Fellow to China and 2014 fellow at the Center for Fiction, she also recently received a Pushcart Prize. She is working on a collection of magical-realist short stories as well as a novel.

What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “Privy”?

In the last few years, I’ve been quite interested in microfiction, pushing the boundaries of form with the concept of what a story actually is. Originally inspired to write microfiction by a 100-word story contest, I’ve found that I really enjoy crafting prose with such tight limitations. “Privy,” in particular, was mostly inspired by the actual word privy and how it is most often used in the negative, usually in regard to knowledge or information. From there, the rest of the story was an extrapolation of that concept.

News

Congrats to Christopher Allen for having a work from HOUSEHOLD TOXINS being chosen to appear in BSF 2019 from Sonder Press.

Check out the write-up of the journal in The Writer.

New titles available from Robert McBrearty and Tori Bond.

Submissions

Poetry, creative nonfiction, and fiction/prose poetry submissions is now OPEN. Check out our new category triptychs! The submission period closes December 15, 2019; submit here.

Upcoming

12/09 • Foster Trecost
12/11 • Margaret Madole
12/16 • Janiru Liyanage
12/23 • Tanner Barnes
12/25 • Tara Campbell
12/30 • Caroline Firme
01/06 • Meg Eden
01/13 • Daniel Galef
01/20 • Francine Witte
01/27 • Abigail Manzella
02/03 • Julia Lynn Offen
02/10 • Jennifer Delisle
02/17 • Madison Frazier
02/24 • Kenneth Pobo
03/02 • TBD
03/09 • TBD
03/16 • TBD
03/23 • TBD
03/30 • TBD