by Douglas W. Milliken


The easiest and by far most satisfying way of infuriating the Pigeon Queen was simply to call her Mom. It didn’t even need to be intentional, it could just slip out—Mom—and she’d completely come unglued.


Douglas W. Milliken is the author of two novels, To Sleep as Animals and Our Shadows’ Voice (forthcoming 2019), the collection *Blue of the World*, and several chapbooks, including The Opposite of Prayer. He lives with his family above a post-industrial dam on the Saco River. www.douglaswmilliken.com


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What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “Moonlighting”?

I’ve always loved the whispered aside. Everyone’s attention is focused on one thing, then the person beside you leans in to deliver into your ear alone a hidden truth about the unfolding scene. Which makes the scene, then, superfluous. It’s the whisper that’s the secret center now.


Congrats to Christopher Allen for having a work from HOUSEHOLD TOXINS being chosen to appear in BSF 2019 from Sonder Press.

Check out the write-up of the journal in The Writer.

New titles available from Robert McBrearty and Tori Bond.


Poetry, creative nonfiction, and fiction/prose poetry submissions is now OPEN. Check out our new category triptychs! The submission period closes December 15, 2019; submit here.


11/04 • Douglas W. Milliken
11/06 • Alouini, Olfa
11/11 • Janiru Liyanage
11/13 • Francine Witte
11/18 • Pamela Painter
11/20 • Margaret Madole
11/25 • Nancy Stohlman
11/27 • Kelsey Englert
12/02 • Tara Campbell
12/09 • Foster Trecost
12/16 • Janiru Liyanage
12/23 • Tanner Barnes
12/30 • Caroline Firme
01/06 • Meg Eden
01/13 • Daniel Galef