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To Cut

by Robin Moss

Robin Moss has an MA in linguistics and writes poetry and short fiction. She lives in the Midwest with her husband, three sons and three cats. She teaches and organizes writing courses and craft-focused literature discussions for dedicated writers outside the academic writing community. 

What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “To Cut”? 

This poem was inspired by a discussion of particulars and universals in The Problems of Philosophy by Bertrand Russell, which says:

 “When, for example, we hear the sentence, ‘Charles I’s head was cut off’, we may naturally enough think of Charles I, of Charles I’s head, and of the operation of cutting off his head, which are all particulars; but we do not naturally dwell upon what is meant by the word ‘head’ or the word ‘cut’, which is a universal.” 

I read that and thought, Well, what happens if we do dwell upon the word “cut?”

News

Check out the write-up of the journal in The Writer.

Matter Press recently released titles from Meg Boscov, Abby Frucht, Robert McBrearty, Tori Bond, Kathy Fish, and Christopher Allen. Click here.

Matter Press is now offering private flash fiction workshops and critiques of flash fiction collections here.

Submissions

Poetry, creative nonfiction, and fiction/prose poetry submissions are now OPEN. The submission period closes June 15, 2020; submit here.

Upcoming

08/03 • Darlene Scott
08/05 • Jocelyn Ulevicus
08/06 • Amy Bobeda (1 of 6)
08/10 • Cynthia Belmont
08/12 • J. C. Todd
08/13 • Amy Bobeda (2 of 6)
08/17 • Jo Gatford
08/19 • Amanda Vineyardx
08/20 • Amy Bobeda (3 of 6)
08/24 • Eva Jordan
08/26 • Gary Fincke
08/27 • Amy Bobeda (4 of 6)
08/31 • Renee Agatep
09/01 • Başak Yirmibeşoğlu
09/03 • Amy Bobeda (5 of 6)
09/07 • Paige Welsh
09/09 • Avital Gad-Cykman
09/10 • Amy Bobeda (6 of 6)
09/14 • Julianne Di Nenna
09/16 • Joey Kim
09/17 • Erika Kanda
09/21 • Brittany Oppenheimer