[Click on triptych to full it full-size.]
What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “Histories I do not Belong to X”? The “Histories I do not Belong to” series came about after I stopped defining nonfiction by what it is, and rather started defining nonfiction by what it could be. This lead to a lot of questioning regarding how we convey truth and what truth really is; namely, that words are faulty in their ability to fully communicate meaning because there seems to be paradox inherently embedding in the English language: we use words to communicate but are often lacking understanding of the words themselves. In writing “Histories I do not Belong to X,” I obsessed over word meaning and how for most of my life I’ve been rather lax in understanding exactly what’s been communicated to me and how I communicate to others. In addition to the narrative about wishful thinking and heartbreak, there’s the understanding that when I begin to truly begin to question what language is used to analyze events and emotion, I can begin to scratch the surface of truth; the realizations evolve from preciseness, or an effort to achieve it.
Check out the write-up of the journal in The Writer.
Matter Press recently released titles from Meg Boscov, Abby Frucht, Robert McBrearty, Tori Bond, Kathy Fish, and Christopher Allen. Click here.
Matter Press is now offering private flash fiction workshops and critiques of flash fiction collections here.
Poetry, creative nonfiction, and fiction/prose poetry submissions are now closed. The reading period for standard submissions opens again March 15, 2023. Submit here.
09/09 • Rae Gourmand
09/16 • Chiwenite Onyekwelu
09/23 • TBD
09/30 • TBD