by Maureen Alsop
Author’s Note: The images correspond with poems (prewritten, for example in relation to the featured poem “Love, Transcription”). One image “Whilst I am Working Do Not Disturb” was a found text conceived in an office of cubicles by a co-worker, John White.
The collection as a whole contends with insolvency, disintegration, a recalibration toward:
Ambled, open architecture, this was Human evidence, or admonition.
First, the body’s landscape:
Q: Or by distance?
A: Static circuitry, sun upon sea.
A: Irrevocable thinning of hunger.
A: Invisible grass.
A: Lips—what your mouth recites, the dead.
Maureen Alsop, Ph.D. is the author of three full collections of poetry including Mantic, Apparition Wren, Mirror Inside Coffin (forthcoming). Her visual poetics have appeared in Superstition Review, Drunken Boat and Snakeskin Review. Her poems have appeared widely in a variety of journals including New Delta Review, Typo, and Barrow Street. Her recent awards include the Tony Quagliano International Poetry Prize. www.maureenalsop.com.
Congrats to Christopher Allen for having a work from HOUSEHOLD TOXINS being chosen to appear in BSF 2019 from Sonder Press.
Check out the write-up of the journal in The Writer.
Poetry, creative nonfiction, and fiction/prose poetry submissions is now CLOSED. Check out our new category triptychs! The next submission period opens September 15, 2019; submit here.
09/05 • Richard Baldasty (1 of 4)
09/07 • Briel Felton
09/09 • Chelsea Stickle
09/11 • Jeffrey Spahr-Summers
09/12 • Richard Baldasty (2 of 4)
09/14 • Frances Badgett
09/16 • Sarah Russell
09/18 • Ryan Stone
09/19 • Richard Baldasty (3 of 4)
09/23 • TBD
09/25 • TBD
09/26 • Richard Baldasty (4 of 4)
09/30 • TBD
10/02 • TBD
10/03 • J.I. Kleinberg
10/07 • TBD
10/09 • TBD
10/10 • Lilian McCarthy
12/02 • Tara Campbell