
“What I love most about compression is how it forces you to look at structure and narrative and word choice; it demands selectivity and precision, with each word going the distance in terms of depth. (Likewise, every detail must be dual-purposed, revealing as much about the observed character as the observer.) Longer fiction, too, is most successful when it applies these principles of compression—just to a bigger framework—so that every scene, every word, every plot point feels essential.” — Sara Lippmann
Matter Press is now offering private flash fiction workshops and critiques of flash fiction collections here.
Upcoming:
03/23 • Kenneth Pobo
03/30 • Roberta Allen
04/06 • Avril Shakira Villar
04/13 • TBD
04/20 • TBD
04/27 • TBD
05/04 • TBD
05/11 • TBD
05/18 • TBD
05/25 • TBD
06/01 • TBD
06/08 • TBD
06/15 • TBD
06/22 • TBD
06/29 • TBD
07/06 • TBD
07/13 • TBD
07/20 • TBD
07/27 • TBD
08/03 • TBD
08/10 • TBD
08/17 • TBD
08/24 • TBD
08/31 • TBD
09/07 • TBD
09/14 • TBD
09/21 • TBD