by Rachel Rodman
At her chest, in a drawstring pouch, she kept a personal hoard of rats’ asses. They were worn and polished, like leather coins, with empty circles at their centers.
There she held them perpetually, warmed by her heart, so that, whenever the right occasion arose, she could conspicuously Not give them out.
“No,” she would say, lips twisting and eyes slitted, in a withering contempt: “This particular set of circumstances does not warrant anything that I have, stored here.”
Rachel Rodman (www.rachelrodman.com) writes fairy tales, food poetry, and popular science. Her work has appeared at Fireside Fiction, Daily Science Fiction, Expanded Horizons, and elsewhere.
What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “The Withholding”? I am fascinated by currencies, ancient and modern: shells, stones, beads, ivory, Bitcoin, and so on. I am not aware of any economy that literally employs rats’ anuses. But the idea became embedded in our language somehow. And in fiction, at least, one can physicalize that interesting possibility. So I did.
Check out the write-up of the journal in The Writer.
Matter Press recently released titles from Meg Boscov, Abby Frucht, Robert McBrearty, Tori Bond, Kathy Fish, and Christopher Allen. Click here.
Matter Press is now offering private flash fiction workshops and critiques of flash fiction collections here.
Poetry, creative nonfiction, and fiction/prose poetry submissions are now open. The reading period for standard submissions closes again December 15, 2023. Submit here.
11/27 • Michael Mark
12/04 • Helen Beer
12/11 • Rachel Rodman
12/18 • Betsy Robinson
12/25 • Trish Hopkinson
12/31 • Kim Chinquee
01/01 • Jill Michelle