CNF: Wizard of Oz Snowglobe

by Hillary Leftwich

You spill your guts: glitter and stale water, all over my hardwood floor. I clean up every piece of you, shards of glass and a half-cracked figurine of Dorothy. Her lips are red. A color my ex would call Whore Red. There is a look of anxiousness painted on her face. I pick her up, delicately—because she is broken—and hold her between my thumb and forefinger. She is staring off into the abyss of my living room. A living room filled with moving boxes. I recognize the look. It’s the waiting for the storm. It’s the smell of incoming rain. She is facing the single event in her life that will change her path forever. There’s an evil old woman pumping her legs on a bike, a tornado scraping itself together, heading right for her. There were never Styrofoam flakes masquerading as snow in this fragmented globe, just glitter and plastic. Without snow, what do I call you?

When I stood in line at the women’s shelter, my face painted on with the same look, bruises on my neck, a baby in my arms and my lips smeared with my whore’s red, no one knew what to call me, either.

Hillary Leftwich lives in Denver with her son. In her day jobs she has worked as a private investigator, maid, and pinup model. She is the associate editor for The Conium Review and the nonfiction editor for The Fem Lit Mag. Her writing has appeared or is forthcoming in Hobart, WhiskeyPaper, NANO Fiction, Monkeybicycle, Dogzplot, Cease, Cows, Five Pure Slush Vol. 10., Crab Fat Magazine, Eunoia Review, Tethered by Letters, Progenitor, and The Citron Review. Her story “Free Lunch” was nominated by Progenitor for The Pushcart Prize in 2015. She thanks her writing tribe, The Fishtank, for their continued support. Find her on Twitter @HillaryLeftwich.

What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “Wizard of Oz Snowglobe”?

​“It was a terrible thing to do undergo, but during the year I stood there I had time to think that the greatest loss I had known was the loss of my heart.” — the Tin Man​


Congrats to the Best Small Fictions nominations from Matter Press for Compressed Creative Arts: Sara Backer’s “Oh, What a Night”; Dan Crawley’s “Powers”; Jill Talbot’s “Malahat Highway on Boxing Day”; Christopher Allen’s “Falling Man;” and Kathy Fish’s “Five Micros.” Congrats to Christopher Allen for being chosen to appear in BSF 2019 from Sonder Press.

Check out the write-up of the journal in The Writer.


Poetry, creative nonfiction, and fiction/prose poetry submissions is now open. Check out our new category triptychs! The submission period closes June 15, 2019; submit here.


05/23 • Nance Van Winckel (1 of 8)
05/30 • Nance Van Winckel (2 of 8)
06/05 • Rachel Rodman
06/06 • Nance Van Winckel (3 of 8)
06/10 • Erica Soon Olsen
06/12 • Beverly Jackson
06/13 • Nance Van Winckel (4 of 8)
06/17 • Avra Margariti
06/19 • Tommy Dean
06/20 • Nance Van Winckel (5 of 8)
06/24 • Stephen Reaugh
06/26 • Hege Lepri
06/27 • Nance Van Winckel (6 of 8)
07/01 • Danielle Hark
07/03 • Shirley Harshenin
07/04 • Nance Van Winckel (7 of 8)
07/08 • Matthew Barrett
07/10 • Andrew Stevens
07/11 • Nance Van Winckel (8 of 8)
07/15 • Peter Cherches
07/17 • Christopher Ryan
07/18 • Alex Durham
07/22 • Jessica Kehinde Ngo
07/24 • Jillian Pretzel
07/25 • Danielle Hark (1 of 6)
07/29 • Theresa Senato Edwards
07/31 • Stephanie Dickinson
08/01 • Danielle Hark (2 of 6)
08/05 • Callista Buchen
08/07 • Sara Elkamel
08/08 • Danielle Hark (3 of 6)
08/12 • Steven Ostrowski
08/14 • Karie Luidens
08/15 • Danielle Hark (4 of 6)
08/19 • Nick Ackerson
08/21 • Tyler Friend
08/22 • Danielle Hark (5 of 6)
08/26 • Suzanne Verrall
08/28 • Amelia Wright
08/29 • Danielle Hark (6 of 6)
09/05 • Richard Baldasty (1 of 4)
09/12 • Richard Baldasty (2 of 4)
09/19 • Richard Baldasty (3 of 4)
09/26 • Richard Baldasty (4 of 4)
12/23 • Tara Campbell