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Charlotte Buys A Police Scanner the Day Her Sister Runs Away with Dad’s Gun

by Tyler Barton

It’s that one cop who whispers over the radio. He’s the only one I bet is sexy. I love it when he says en route to scene, so French, so conscientious to always give where he is & where he’s going & he does it with every street, every intersection he crosses, which means in ten second intervals I get to hear his quiet raspiness. I close my eyes. Crossing over Chesapeake & on Juniata south & tonight I start dying when he finally says going down Charlotte. See him kissingdownmybelly so dramatic. Heading straight for the incident. Forget what the hell I’m listening for. Arriving. On scene.

I fall asleep without a worry. Dream my sister on a sidewalk shooting a gun. A cop chasing the bullets down the street. Me in a hospital bed. Getting kissed soft with a moustache. I’m sorry we couldn’t stop her. Think about anything else, I wake up repeating.


Tyler Barton lives in Lancaster, PA. He co-founded and directs the local literary organization, the Triangle (thetrianglepa.com). He’s the fiction editor of Third Point Press. His other stories can be read online at tylerstevenbarton.wordpress.com. Follow him @goftyler.

What surprising, fascinating stuff can you tell us about the origin, drafting, and/or final version of “Charlotte Buys A Police Scanner the Day Her Sister Runs Away with Dad’s Gun”?

The idea of extracting a flash from a longer short story has always seemed to me like a rule-break. This is the first time I’ve tried breaking that rule. I have a longer story about a young girl with a wild, runaway sister who haunts her. That story begins with the scene of Charlotte listening for her sister to be mentioned over the police scanner, and falling into a some sensuality with a cop’s voice. Upon multiple revisions of that story, I kept feeling like this scene either needed cut out, or all the rest of the story needed to be cut. So I experimented and just cropped it. I had to give a title that provided a bit of context.

I also work in a place where I have to listen to a police scanner for eight hours at a time. I have a small yellow pad with which I’m supposed to take notes about calls, but during down time, I take notes about stories.

News

Congrats to the Best Small Fictions nominations from Matter Press for Compressed Creative Arts: Sara Backer’s “Oh, What a Night”; Dan Crawley’s “Powers”; Jill Talbot’s “Malahat Highway on Boxing Day”; Christopher Allen’s “Falling Man;” and Kathy Fish’s “Five Micros.” Congrats to Christopher Allen for being chosen to appear in BSF 2019 from Sonder Press.

Check out the write-up of the journal in The Writer.

Submissions

Poetry, creative nonfiction, and fiction/prose poetry submissions is now open. Check out our new category triptychs! The submission period closes June 15, 2019; submit here.

Upcoming

05/23 • Nance Van Winckel (1 of 8)
05/30 • Nance Van Winckel (2 of 8)
06/05 • Rachel Rodman
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06/10 • Erica Soon Olsen
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06/13 • Nance Van Winckel (4 of 8)
06/17 • Avra Margariti
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06/24 • Stephen Reaugh
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07/01 • Danielle Hark
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07/04 • Nance Van Winckel (7 of 8)
07/08 • Matthew Barrett
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07/11 • Nance Van Winckel (8 of 8)
07/15 • Peter Cherches
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07/18 • Alex Durham
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07/25 • Danielle Hark (1 of 6)
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07/31 • Stephanie Dickinson
08/01 • Danielle Hark (2 of 6)
08/05 • Callista Buchen
08/07 • Sara Elkamel
08/08 • Danielle Hark (3 of 6)
08/12 • Steven Ostrowski
08/14 • Karie Luidens
08/15 • Danielle Hark (4 of 6)
08/19 • Nick Ackerson
08/21 • Tyler Friend
08/22 • Danielle Hark (5 of 6)
08/26 • Suzanne Verrall
08/28 • Amelia Wright
08/29 • Danielle Hark (6 of 6)
09/05 • Richard Baldasty (1 of 4)
09/12 • Richard Baldasty (2 of 4)
09/19 • Richard Baldasty (3 of 4)
09/26 • Richard Baldasty (4 of 4)
12/23 • Tara Campbell