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The Academy of Hay

by Julia Shipley

The farmer squats in the dirt road beside the tractor. Using a twig he draws a way to enter the field. For the next two hours I’ll drive twenty-five miles, mowing circles within circles. On the pond I’d watch ripples erupt and vanish, thinking: fish postulants. Sister Bernard Mary once told me, a journey that begins with him leads to him. It’s true of the rye grass with its three miles of root hairs per day; 6,603 miles per season, traveling all that way, and going nowhere. We used to make fun of something called the “corn joint,” the lignin keeping the stalk upright, stationed despite wind. The farmer, stoic mostly, suddenly spoke,

Could you stand in a field for three months?

Ah, but our potato fork did. It remained through the winter, an effigy for where we did stand and bend, and drive around with the cultivator all those months, sowing then harvesting. Yeatsian, a tattered coat upon a stick, he grows more like his scarecrow, hair amuck, grease on his pants’ hip when he’s pined to his tractor, haying. That tilted fork still stuck in February, buried to the grip, represents everything: his investment, and my investment, our stubborn stab in this endeavor, our vulnerability to the elements, well, I’ll speak for me, what ever comes or falls or fails, I’ll feel.


Julia Shipley is the author of two chapbooks, Herd (Sheltering Pines Press, 2010) and Planet Jr. (Flyway/Iowa State, 2012). Her work has appeared in CutBank, FIELD, Fourth Genre, Hunger Mountain, and Whole Terrain. She works as a journalist, farmer and caretaker of a Writer’s Retreat in Vermont’s Northeast Kingdom. Her newest collection, Bales of Prose is forthcoming from Plowboy Press in autumn 2013.

Compression Statement:

“I think hay itself is an amazing embodiment of compression: all the summer days and nights and weather gone into the field’s sward and then cut and baled into a hunk—there, you’re holding a whole season (plus a cricket or two, and maybe a snake skin and…) in your arms in a hay bale.”

News

Check out the write-up of the journal in The Writer.

Matter Press recently released titles from Meg Boscov, Abby Frucht, Robert McBrearty, Tori Bond, Kathy Fish, and Christopher Allen. Click here.

Matter Press is now offering private flash fiction workshops and critiques of flash fiction collections here.

Submissions

Poetry, creative nonfiction, and fiction/prose poetry submissions are now OPEN. The submission period closes June 15, 2020; submit here.

Upcoming

07/06 • Vanessa Gebbie
07/08 • Paul Hostovsky
07/09 • Serge Lecomte (5 of 8)
07/13 • Clio Velentza
07/15 • Jolene McIlwain
07/16 • Serge Lecomte (6 of 8)
07/20 • Julie Benesh
07/22 • Beverly Jackson
07/23 • Serge Lecomte (7 of 8)
07/27 • Lynn Wagner
07/29 • Delaney Burk
07/30 • Serge Lecomte (8 of 8)
08/03 • Darlene Scott
08/05 • Jocelyn Ulevicus
08/06 • Amy Bobeda (1 of 6)
08/10 • Cynthia Belmont
08/12 • J. C. Todd
08/13 • Amy Bobeda (2 of 6)
08/17 • Jo Gatford
08/19 • Amanda Vineyardx
08/20 • Amy Bobeda (3 of 6)
08/24 • Eva Jordan
08/26 • Gary Fincke
08/27 • Amy Bobeda (4 of 6)
08/31 • Renee Agatep
09/01 • Başak Yirmibeşoğlu
09/03 • Amy Bobeda (5 of 6)
09/07 • Paige Welsh
09/09 • Avital Gad-Cykman
09/10 • Amy Bobeda (6 of 6)
09/14 • Julianne Di Nenna
09/16 • Joey Kim
09/17 • Erika Kanda
09/21 • Brittany Oppenheimer